http://www.coldbluemusic.com/
One reason so many Cold Blue recordings are so good is that they feature production far better than classical music listeners are accustomed to hearing. Most recordings of chamber music, no matter how good they sound, are just documents of music written for the stage rather than the studio. Chamber music composers almost never adjust their scores to adapt to studio environments, so what musicians play in a piece in its onstage premiere is exactly what they play in the studio. Recordings of classical music are typically treated as documents rather than creative works in themselves. There are some notable exceptions, such as the ECM label . . . and, now, the Cold Blue label . . . that feature beautiful and direct production." —Charlie Wilmoth, Dusted Magazine
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